NEW HAVEN
- Christmas came early for P-Funk fans as George Clinton made a rare
December appearance at Toad's Place. For those in the know he
traditionally performs there in February so this was a nice surprise.
There are not many performers his age still able to pack a house and
keep fans on the dance floor for hours - non-stop. No polite clapping
here, make no mistake, this is indeed a party, old school style.
At
74 years young Mr. Clinton has no trouble getting the party started.
From the first drum beats to the last ear splitting guitar solo he is
right there having fun right along with the rest of us. Fueled no doubt
by the love he gets from the crowd, the infectious music and frequent
hits of weed that are passed up to him on stage. Yes, he is still up to
his old tricks.
An
informal poll of concert
goers indicated that for many this is their 5th, 6th or 7th time seeing
him. For Matt, 24, a clean cut white kid this was his first experience.
He said "My brother gave me one of his albums when I was 15 and said I
would understand when I got older." For 37 year old Ing, an Asian women
this
was her second time seeing Clinton, the first time was in Oxford,
England. Rarely in the times we live in can an assortment of very
different people come together and just party. Black, white, old, young,
hippies, hipsters, old
school revolutionaries in their dashikis along with heavily tattooed
bikers wearing their respective colors. A modern day Woodstock. Unlike
many concerts with such diverse groupings there is no hint of violence
in the air. The
only objective is to get funked up.
George Clinton Exits Toad's Place - Photo Credit Jocelyne Hudson-Brown
With
the exception of a few obviously seasoned musicians the rest of the
funkateers on stage get younger and younger each year, yet the quality
of the music never changes. What makes Clinton so special is that he is
one of the few African-American musicians still standing that played a
key part in most all areas of modern music as we know it. From Doo-Wop,
to Jazz, to Soul, R&B, Hip-Hop, Grunge and Rock & Roll he has
covered them all, with great success. He is also the mastermind of the
genre of music called "P-Funk" which seems to have no generational
boundaries.
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